The photos that interest me most, I can't say why I took them.
I think my gift is that I still work with a certain amount of unconsciousness.
- Sarah Moon
Reflections on photography, art, beauty and the natural landscape.
There is a vitality, a life force, an energy…that is translated through you into action, and because there is only one of you in all time, this expression is unique. And if you block it, it will never exist… The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.
– Martha Graham
An ongoing theme of this blog has been examining the disconnect between our pre-cognitive response to the world we live in vs. our intellectual response.
We’ve come down on the side of the pre-cognitive, i.e., the art – poetry, music, prose…etc. – that gives one goose bumps even though it's difficult to explain why, exactly.
That sentiment describes much of what we've experienced in our visual explorations of the local landscape – not so much a photographic recording of reality as it is a response to the discovery of “beauty” (whatever that is) in unlikely places.
This observation by painter Pablo Picasso neatly sums it up:
It took me four years to paint like Raphael, but a lifetime to paint like a child.
"I never even thought about whether or not they understand what I'm doing…the emotional reaction is all that matters, as long as there's some feeling of communication, it isn't necessary that it be understood."
–– John Coltrane
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